Make Me Famous, a new documentary about East Village artist Edward Brezinski, does little to prove that its subject should have risen to the top.
Eileen G’Sell
Eileen G’Sell is a poet and critic with recent contributions to Jacobin, Poetry, The Baffler, and The Hopkins Review. Her second volume of poetry, Francofilaments, was recently published by Broken Sleep Books. In 2023, she received the Rabkin Prize for arts journalism. She teaches at Washington University in St. Louis.
Posted inFilm
If Only Lynch/Oz Had More of a Brain
Alexandre O. Philippe’s documentary would seem a must-see for fans of the yellow brick road or the Great Northern Hotel of Twin Peaks. If only.
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Netflix Documentary Exposes the Criminalization of Sexual Assault Victims
Victim/Suspect reveals the extent to which women are vulnerable to pressures to take the blame, and even serve time, for their own violent rapes.
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The A-Lot-Ness of Little Richard
Little Richard: I Am Everything honors the a-lot-ness that made him a 20th-century pioneer, while acknowledging the bumps along the trail he blazed.
Posted inArt
Depravity and Delights in Nicole Eisenman’s Prints
If God (and the Devil) are in the details, the craft of printmaking proves a powerful outlet for exploring Eisenman’s most enduring themes.
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The Anarchic Spirit of Nam June Paik
Amanda Kim’s documentary shows how Paik anticipated the dizzying ways in which electronic and digital culture would transform human discourse.
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Cauleen Smith’s Drylongso Depicts a Bygone Oakland
Smith’s 1998 film exudes the DIY charm of a low-budget, first-time feature while keenly depicting the complexities of both race- and gender-related inequalities.
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Achingly Intimate Doc About Ukrainian Orphans Insists on Hope
A House Made of Splinters bears witness not only to children’s ongoing trauma, but to their enduring ability to seek out and sustain their own support networks.
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The Women Who Dominated This Year’s Sundance
At this year’s Sundance International Film Festival, more than half the feature-length movies were made by directors who identify as women.
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Why The Rules of the Game Is Still Required Viewing
Jean Renoir’s newly restored 1939 classic proves that lawless wealth — then as now — makes a marvelous farce of us all.
Posted inArt
Barbara Chase-Riboud Breathes Life Into Bronze
The aggressive kineticism of Futurism in Chase-Riboud’s sculpture is tempered by a keen appreciation of the erotic and lyrical.
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Set in a Lesbian City in the Year 2700, Flaming Ears Is Queer and Campy Fun
For those up for seriously weird, naughty “cyberdyke” mayhem, this movie will likely disturb and delight.