For a half-century, Sophie Calle has been probing human connection, emotional impulses, and vulnerability via fictional devices, dry humor, and unapologetic impropriety.
Sheila Regan
Sheila Regan is a Minneapolis-based journalist and critic. She has written for Bomb, Artnet News, The Lily, Broadly, American Theatre, and contributes dance reviews for the Star Tribune.
Posted inNews
Curator’s Termination Sparks Outrage at Minneapolis Institute of Art
Robert Cozzolino’s departure has become a flashpoint for former staff who allege a toxic workplace under Director Katherine Luber.
Posted inArt
A Sobering Time Capsule of Humanity
The artists in Message from Our Planet: Digital Art from the Thoma Collection at the Weisman Art Museum in Minneapolis want to shake us awake before it’s too late.
Posted inArt
In Minneapolis, a Russian Museum With an Identity Crisis
Many in the local Ukrainian community want the museum’s name to be changed to reflect the many artworks in its collection by artists from former Soviet states.
Posted inPerformance
Dancing Toward Peace and Healing
In She Who Lives on the Road to War, Rosy Simas combines installation and performance to address the immense losses experienced during the COVID-19 pandemic.
Posted inArt
The Art of a Haunted United States
Even for viewers who don’t believe in ghosts, spirits, or alien life, the works in Supernatural America possess their own power.
Posted inArt
In Minneapolis, Vibrant Posters Push for Political Change
Stand Up Prints, the latest exhibition at Highpoint Center for Printmaking, showcases striking prints by artists from over 23 states.
Posted inArt
An Artist’s Vision Centers Indigenous Narratives and Spaces
In Red Exit, Andrea Carlson’s motifs celebrate the spaces Native people create for themselves.
Posted inArt
The Many Sides of Harriet Bart, From 1970s to Today
From dental hygienist to professional artist, Bart knew all along that she couldn’t “just stay put.”
Posted inArt
Nicholas Galanin Suggests We’re Ready to Fight Back
Galanin, a Tlingit-Unangax̂ artist, addresses climate change and its connection to white supremacy, as well as the commodification of indigenous cultures.
Posted inArt
The Spirits that Haunt the Words of Edgar Heap of Birds
Hyperallergic sat down with Edgar Heap of Birds to discuss his current exhibition at MoMA PS1.
Posted inArt
An Indigenous Artist Captures the Racial Violence at Standing Rock
Jim Denomie’s paintings present an emotional response to the violence of white supremacy that emerged during the DAPL conflict.