Join Hrag Vartanian, artist Lee Quiñones, PPOW Gallery Co-Founder Wendy Olsoff, and MCNY Curator Sean Corcoran for a discussion on the evolution of graffiti as an art form and the lasting influence of visionary artist and collector Martin Wong.
Lee Quinones
How Lee Quiñones Took His Graffiti From the Subway to the Museum
A pioneer of the 1970s New York City graffiti movement, the artist reflects on five decades of experimentation with spray cans and paint brushes.
The Story of Hip-Hop’s Film Birth
Charlie Ahearn is known as an independent filmmaker, but he’s much more than that. He’s perhaps better described as a community filmmaker. For his films The Deadly Art of Survival (1979) and Wild Style (1983), he connected with local communities of young New Yorkers (many of them teenagers) and worked with them to make movies that starred these amateur actors essentially playing themselves.
Recovering the History of the Puerto Rican Art Workers’ Coalition
A few times during her talk last week, historian and curator Yasmin Ramírez looked over at the copy of Art Workers: Radical Practice in the Vietnam War Era by Julia Bryan-Wilson sitting on the table in front of her. It wasn’t a look of love. Each time she referenced the book it was, at least in part, with a sense of frustration that despite being one of the only books devoted to the subject of the Art Workers’ Coalition (AWC), Bryan-Wilson largely left out the involvement of black and Puerto Rican artists, who played critical roles in the efforts of the group.
Why Are We Revisiting the Times Square Show?
Thirty-two years after being labeled the “first radical art show of the ’80s,” the Times Square Show, a raucous and revolutionary DIY art exhibition held in an abandoned massage parlor on 41st Street and Seventh Avenue in the old dirty and devastated Times Square, has been revived by the Hunter College Art Galleries in the exhibition Times Square Show Revisited.