MAGA is coming for our rights. The Siren is here to fight back.
Pablo Helguera
Artists Decolonize the History of the Americas at the Vincent Price Art Museum
A Decolonial Atlas: Strategies in Contemporary Art of the Americas features works by 18 contemporary artists and collectives from the US and Latin America, plus a selection of works by Native American artists from the museum’s permanent collection
The Pursuit of Art, 2013
Memories fade. That’s the one good reason, as far as I can see, to compile an end-of-year list. It’s sometimes startling to retrace what attracted my attention over the course of a year; it is also instructive to determine where such a miscellany of shows fits in with ongoing areas of interest, and which ones, in hindsight, merited the time it took to review them.
Spinning Tales: The Many Pages of Pablo Helguera
On paper, the Mexican artist Pablo Helguera may fit the mold of a neoconceptualist with a social agenda, but the more I see of his work, the more he resembles some kind of latter-day mystic, conjuring up improbable connections and unsettling dislocations.
From Lynch to the Lynchian and the Dreams in Between
Hypnotherapy, a group show at Kent Fine Art, gives David Lynch fans a chance to revisit the iconic filmmaker’s alarming artwork a year after his solo turn at Jack Tilton. But that’s only one, conspicuous though it is, of its strengths. What really matters is the opportunity to experience a museum-quality exhibition that approaches the pitfalls of latter-day surrealism with as much intelligence and refinement as this one does.
Manufactured Dreams — Stepping Inside Televisa
The Aperture Foundation publishes beautiful photography monographs that are designed to look more like a portfolio than a book; such is their emphasis on image plates over explanatory text. The Factory of Dreams: Inside Televisa Studios, one of Aperture’s recent publications featuring the Brooklyn-based photographer Stefan Ruiz, is a monograph that presents a single body of work. The Factory of Dreams is a collection of photographs Ruiz began working on eight years ago, depicting one of Mexico’s largest exports: televised fantasies of “love, wealth, and betrayal.”
Everything Is an Art Fair … Redux
First, it was blogs, now our bathrooms. I’m guessing Helguera was thinking about The Dependent art fair when he sketched this one. 16 Miles of String has a few good shots of the bathroom installations at The Dependent. [via The Art Newspaper]