Qingyuan Deng – Hyperallergic https://hyperallergic.com/author/qingyuan-deng/ Sensitive to Art & its Discontents Wed, 19 Feb 2025 21:39:24 +0000 en-US hourly 1 https://hyperallergic-newspack.s3.amazonaws.com/uploads/2020/11/cropped-Hyperallergic-favicon-100x100.png Qingyuan Deng – Hyperallergic https://hyperallergic.com/author/qingyuan-deng/ 32 32 118955609 Paul Mpagi Sepuya’s Labyrinths of Desire  https://hyperallergic.com/990753/paul-mpagi-sepuya-labyrinths-of-desire-bortolami/ https://hyperallergic.com/990753/paul-mpagi-sepuya-labyrinths-of-desire-bortolami/#respond Wed, 19 Feb 2025 21:39:22 +0000 https://hyperallergic.com/?p=990753 Working with, alongside, and against conventions of portraiture photography, the artist manipulates the gaps between image and object. ]]>

Working with, alongside, and against conventions of portraiture photography, the artist manipulates the gaps between image and object. 

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Hunter Reynolds and Dean Sameshima’s Memorials to Queer Loss https://hyperallergic.com/980038/hunter-reynolds-and-dean-sameshima-memorials-to-queer-loss/ https://hyperallergic.com/980038/hunter-reynolds-and-dean-sameshima-memorials-to-queer-loss/#respond Wed, 01 Jan 2025 21:02:00 +0000 https://hyperallergic.com/?p=980038 A two-person, intergenerational display represents two drastically opposed approaches to queer history. ]]>

A two-person, intergenerational display represents two drastically opposed approaches to queer history.

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