Portfolios are graded on a scale of one through five — but there’s nothing like public opinion to put one’s skills to the test.
Interviews
Weaver Roy Kady Is a Shepherd First
“That’s what traditional Navajo weaving is: an interpretation of your environment,” the Diné artist told Hyperallergic in an interview.
Philip Yenawine’s Transformative Teaching
“I attribute what creativity I have to being gay,” explained the art historian and author in a conversation with Hyperallergic.
Jimmy Wright’s Hymns to Queer Nightlife
“The sense of freedom I felt in New York had nothing to do with the art world,” the painter told Hyperallergic.
Joey Terrill’s Windows Into Queer Chicano Life
“I want my work to have a confessional nature about my life, my identity, and who I am,” the artist said in an interview with Hyperallergic.
Su Friedrich’s Life in Moving Images
“I always had the feeling that there isn’t just a single thing to do,” the artist told Hyperallergic. “I enjoy mixing text and images, real life and invented scenarios.”
Power Traces the History of Policing in the US
Following the 2020 Black Lives Matter protests, filmmaker Yance Ford was struck by the question: “What, exactly, do the police exist to do?”
Holly Hughes’s Politics of Pleasure
The veteran performance artist spoke with Hyperallergic about camp, queerness, anti-porn discourse, and nurturing feminist community across generations.
Paul Wong Is Queering Chinatown
The artist, curator, and organizer opens up and blurs the boundaries between categories, experimenting with new spaces and methods of moving through the world.
Harmony Hammond’s Ongoing Revolution
The mainstream art world might finally be catching up with Hammond, who has been breaking barriers for more than six decades.
The Unlikely Story of Brooklyn’s Bishop Gallery
Brooklyn residents and best friends Stevenson Dunn Jr. and Erwin John founded the beloved gallery without any background in the arts.
Catherine Opie’s Unrelenting Fight for Visibility
From street snapshots to resplendent studio photographs, the artist draws us powerfully into her life-long project of bearing witness to her community.