An exhibition at the Legion of Honor is billed as the first to explore the artist’s “reinterpretations” of works by his artistic influences.
Wayne Thiebaud
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Wayne Thiebaud, Whose Paintings Were (Almost) Good Enough to Eat, Dies at 101
He mastered the textures of frosting, meringue, and donut glaze, but was also known for his dizzying cityscapes and Pop-like humor.
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Explore Wayne Thiebaud’s Evolving Influence at the Manetti Shrem Museum
The new exhibition Wayne Thiebaud Influencer: A New Generation celebrates the UC Davis professor’s legacy at work today.
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Pastel Then, Pastel Now
The Swiss artist Nicolas Party is both the subject and curator of Pastel, an extraordinary exhibition examining the under-appreciated, fugitive medium and its history.
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Wayne Thiebaud’s Confections, Sprinkled with Touches of Cézanne, Degas, and Others
An exhibit at the Morgan Library & Museum lends a few helpful insights into who and what have inspired this 97-year-old artist (beyond the sugary obvious).
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On the Road with Wayne Thiebaud
Wayne Thiebaud gets you to think about the folly and hubris of shaping the landscape to suit our needs.
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Thickly Layered Paintings that Glow with Their Own Light
If painting maps the mind, then Steve DiBenedetto must be a very interesting guy to hang out with.
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A Poetics of Appropriation: On Sharon Core
Sharon Core does not simply make photographs of still lifes that exactly re-create paintings, she creates the still lifes — literally.
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Bridging the Coasts: Bay Area Figurative Painters at Yale
Jock Reynolds, the Henry J. Heinz II Director of the Yale University Art Gallery (YUAG), has held his job for 16 years now but has the energy of a man who is just getting started.
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Why Does Wayne Thiebaud Love Goop So Much?
SAN FRANCISCO — Wayne Thiebaud, whose exhibition Memory Mountains recently closed at the Paul Thiebaud Gallery in San Francisco, turns 94 this year. Consisting of nearly fifty paintings and drawings of mountains and mesas done between 1962 and 2013, this survey exhibition reveals another side of a painter best known for his impasto paintings of frosting-slathered cakes, thickly crusted pies and sticky pastries.
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Wayne Thiebaud and the Limits of Gluttony
I was lucky enough to see Wayne Thiebaud: 70 Years of Painting at the San Jose Museum of Art (February 27–July 4, 2010) and write about it for The Brooklyn Rail (July–August 2010). As with that exhibition, many of the works now on view at the Aquavella Galleries’ posh, mirrored townhouse on Manhattan’s 79th Street (the artist’s first show there), a few blocks north of the Whitney Museum of American Art, came from the Thiebaud Family Collection, the artist’s studio, museums and private collections. Evidently, only a handful of the more than eighty works are for sale. On the day that I went to the gallery a man came in and asked the woman at the front desk for a price list because his wife had told him to “buy her something for Christmas.” This might bother some people, but some of those same people probably don’t see any problem with how much money reality stars spend on their underwear.
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Art With a Dash of Hospitality But Save Room for Dessert
I’m almost embarrassed to confess I’ve only just recently made the acquaintance of Wayne Thiebaud’s work. The man’s been painting upwards of 70 years and spent much of his time in California. I, despite my accumulation of years in New York, also consider California my home. There’s really no excuse.