MILWAUKEE — As I look at this photograph of myself, lying flat with arms outstretched on the Carl Andre, I wonder about my violation of museum etiquette.

Debra Brehmer
Debra Brehmer is a writer and art historian who runs a contemporary gallery called Portrait Society in Milwaukee, WI. She is especially interested in how portraits convey meaning.
Reckoning with Pop Art’s Irrepressible Popularity
CHICAGO — Three major exhibitions devoted to Pop art that opened last year broadened the purview of this movement as a primarily Western (American) phenomenon by unearthing lesser-known artists to provide a global view of art in the 1960s and ‘70s.
A Homeless Artist Who Staged Glamor Shots in Bus Station Photobooths
SHEBOYGAN, Wis. — Lee Godie’s self-portraits generate warmth, humor, and the stubborn confidence of a woman shaping her own frail destiny.
The Story of a Pope Portrait Made Out of Condoms
MILWAUKEE — It’s not unusual for a work of art to cause outrage, especially if it dips into the tender zones of race, gender, or religion.
A Single Woman Is a Witch: Battling to Save the Art Environment of Mary Nohl
Over a period of 50 years, the artist Mary Nohl transformed her yard as well as the interior and exterior of her cottage into an environment that stands in conversation with the surrounding land, lake, and her childhood memories. Almost immediately after the first cement sculptures materialized in the 1960s, however, she became known as “The Witch.”
Kandinsky’s Cosmic Consciousness
MILWAUKEE — In the foreword to the exhibition catalogue, Bernard Blistene and Alain Seban of the Centre Pompidou, Paris, glue together a new retrospective on Wassily Kandinsky with two words: “intrinsic coherence.”