The artist’s felines, sculpted in ghostly white enamel-glazed clay, infuse the space with a quiet vitality, bridging the mystical and the everyday.

Blending and blurring his roles as an artist, choreographer, and writer, a survey of Lemon’s art centers his luminous legacy of storytelling, memory, and transformation.

Through his choreography and his company’s performances, Ailey seamlessly interwove narratives of Black, American, and queer identity.

DON’T YOU MISS US? honors the trailblazing women who paved the way, underscoring the ongoing dialogue between past and present artistic expressions.

A narrative unfolds in Joffe’s My dearest dust that explores motherhood, loss, and individual identity as her daughter leaves home.

At Hunter College’s MFA thesis show in Manhattan, six artists decode modern life through unusual, surprising, and joyful installations.

Blending zoomorphic elements with a fanciful aesthetic, the artist duo’s functional animal sculptures evoked a sense of wonder and enchantment.

The works in Opie’s harmony is fraught are documents that bear witness, but they also highlight the connection between our public and private lives.

Subdivision depicts a uniquely Angeleno experience of adolescence, while also conjuring a shared memory of American suburban childhood.

The artist-poet’s drawings tell the story of someone entangled with his own demons and his work to overcome them.

SIGHTLINES increases the visibility of African art, bringing metal arts from the 19th and 20th centuries together with works by contemporary African artists.

With The Sassoons, the Manhattan museum missed an opportunity to look more critically at the family’s opium trade, and to delve into the lives of its women.

A new exhibition offers a sensitive and probing critique of what it is like to both view and occupy a contemporary female body.

His “Pain Relief Drawings” demonstrate how art serves as a way for the artist to cope with strife.