In the artist’s futuristic world of Azadistan, textiles become socio-political tools that sketch a vision of cultural expression beyond technological frameworks.
Tamar Boyadjian
Dr. Tamar Marie Boyadjian is poet, editor, translator, and the first author to produce a fantasy series in the endangered language of Western Armenian. Her work advocates for the recognition of forgotten women in literary history and strives to advance the global presence of authors writing in endangered languages.
Posted inArt
Making Food Into an Art in Muslim-Majority Cultures
Focused on the SWANA region, “The Art of Dining” transforms meals into narrative experiences, showing how food connects people not only to their roots, but also to each another.
Posted inBooks
Why Don’t We Talk About Race in Fairy Tales?
Characters in fairy tales “are white not by chance, but by design,” Kimberly J. Lau writes in a new book.
Posted inBooks
An Incomplete History of Griffins in Art
Despite its ambition to expand our definition of the creature to include other winged, hybrid beasts, Griffinology is hemmed in by a European framework.
Posted inArt
On Labor and Race in Great Depression America
Art for the Millions at the Met Museum foregrounds the perspectives of women and people of color in the 1930s in the wake of industrialized labor.
Posted inArt
What Would a World Without Genocide Look Like?
Reparations of the Heart prompts the question: Where would diaspora Armenians and other SWANA communities be if the Armenian Genocide had never happened?
Posted inArt
What’s Iconoclastic About a Blackface Madonna?
Artist Tony Rave’s work comes to remind us that piety is not strictly White.
Posted inOpinion
The Missed Queerness of The Green Knight Adaptation
Instead of anachronistic models that already reassert themselves in modern society, we should be able to see on the big screen just how badass, freethinking, and intercultural the premodern world really was.