One of the most underrated film festivals in New York, each year it presents an accessible and engaging collection of recent Japanese cinema.

Dan Schindel
Dan Schindel is a freelance writer and copy editor living in Brooklyn, and a former associate editor at Hyperallergic. His portfolio and links are here.
Power Traces the History of Policing in the US
Following the 2020 Black Lives Matter protests, filmmaker Yance Ford was struck by the question: “What, exactly, do the police exist to do?”
A Japanese Reality Show’s Dark Legacy
Livestreaming, confessional monologues, and subjects’ willingness to let mass audiences surveil them all started here.
Half a Century of American Culture Through the Lens of One Photographer
James Hamilton’s career conveniently mirrors the changing fortunes of journalism as an industry.
Nigeria’s Youth Fight for a Better Future
Alain Kassanda’s Coconut Head Generation is a testament to how young people find themselves through each other no matter the place, times, or means.
Benshi Performers Pass Along a Way of Thinking
Ichirō Kataoka and Kumiko Ōmori tell Hyperallergic about the modern-day conventions and challenges of the Japanese art of narrating silent films.
Art Made for Nobody, and Other Video Essays to Watch This Month
This April: video essays on Palestine, AI, Nathan Fielder, and more.
Can Women Save America?
Girls State follows a group of young women participating in the mock political program in Missouri just before the overturn of Roe v. Wade.
Fiction and Fact Intermingle at the First Look Film Festival
The Museum of the Moving Image’s annual experimental cinema event features several films that remix archival materials.
A Batch of Video Essays for the Last Days of Winter
Donald Duck, Disney theme parks, and other excitement make up this month’s video essay roundup.
Behind the Scenes of Amazon Workers’ Fight for a Union
Brett Story’s Union demonstrates how the tedium of labor organizing can sometimes catalyze electric triumphs.