Even if DEI dies, arts organizations should still move toward the accessibility that has always been at the core of the effort. Here’s how.
Opinion
An Artist’s Dispatches From Luigi Mangione’s Hearing
I showed up at the Manhattan courthouse with my watercolor pencils and paper in hand only to find that everyone wanted “the shot,” and that this work is not for the faint of heart.
Donald Trump Brings Back “Degenerate Art”
The president’s obsession with cultural control is evidence of a continued fascist creep, and not just another joke exercise in narcissism.
Since When Is Neoclassical Architecture “Populist”?
Donald Trump’s move to revive “traditional” architecture in federal buildings betrays his ignorance of its elitist roots.
Artists, Don’t Make This Common Tax Mistake
Why aren’t galleries supposed to issue 1099s to their artists? And what should you do if they send you one?
How Will Meta’s New Content Policy Affect Artists?
Artists have long faced censorship on the company’s platforms, but new guidelines limiting content moderation are far from a boon to free speech.
Hoping Is Not Enough
The idea of public criticism as “talking shit” rather than a collaborative venture permeates the arts, and it’s ultimately counterproductive.
How Los Angeles Created the Vocabulary of Its Destruction
The burning of large areas in the city suggests the dusk of America as a dream manufacturer, and the beginnings of a darker story.
Why I Refuse to Make Art for Prisons
What purpose does this creative enrichment serve when the buildings that host it are harmful?
My Small Gallery Lost Money at an Art Fair. It Hurt.
When sales are robust, it confirms that producing and selling art is actually a viable activity. When sales falter, our world begins to feel untenable.
The Canonization of St. Luigi
The authorities inadvertently transformed a perp walk photo of the accused killer of a healthcare CEO into a Renaissance painting of the arrest of Christ.
Nativity Scenes Have Never Been Neutral
To criticize the Vatican’s nativity with a now-removed Jesus in a keffiyeh would be to dismiss the artistic history of crèches centering marginalized people.