Feted as the “Queen of the Bohemians,” Abercrombie saw herself as a kind of jazz witch forging dream visions into a strange, eerie, and occult body of work.
Ed Simon
Ed Simon is Public Humanities Special Faculty in the English Department of Carnegie Mellon University, a staff writer for LitHub, and the author of Devil's Contract: The History of the Faustian Bargain (2024).
Posted inOpinion
Donald Trump Brings Back “Degenerate Art”
The president’s obsession with cultural control is evidence of a continued fascist creep, and not just another joke exercise in narcissism.
Posted inBooks
Julia Warhola Was an Artist in Her Own Right
The calligrapher, illustrator, and mother to Andy Warhol lived with her son in New York City for decades, supporting and even collaborating with him on artistic projects.
Posted inOpinion
How Los Angeles Created the Vocabulary of Its Destruction
The burning of large areas in the city suggests the dusk of America as a dream manufacturer, and the beginnings of a darker story.
Posted inArt
The Artist Who Ushered Us From Medieval to Modern
Jacopo Ligozzi gave visual expression to the developing myth of empirical objectivity, of being able to successfully collect, measure, analyze, and categorize.
Posted inOpinion
The Canonization of St. Luigi
The authorities inadvertently transformed a perp walk photo of the accused killer of a healthcare CEO into a Renaissance painting of the arrest of Christ.
Posted inArt
Art’s Greatest Gift of Death
Memento moris remind us that death is inevitable, nothing afterward is assured, and what we do in that crack of light between oblivions is our responsibility.
Posted inArt
The Battle Between Halloween and Reformation Day
Launched on October 31, 1517, the Protestant Reformation broke not just with the Catholic Church but with all that’s dark and demonic, wanton and witchy.
Posted inBooks
The Beautiful Pagan Soul of Piero di Cosimo
A new book provides an ideal introduction to a Renaissance painter largely known only to specialists, but who was counted among the most important of his generation.
Posted inArt
Holbein the Younger Looked Death in the Eye
Death, in the artist’s imagination, is the oblivion that spares no one, regardless of what you have or haven’t done, regardless of who you are.
Posted inArt
How Lucas Cranach the Elder Went From Making Icons to Agitprop
The artist would develop a distinctly Protestant imagery that replaced sacredness with utility, functioning essentially as propaganda minister for Martin Luther.
Posted inArt
Lavinia Fontana, the Self-Fashioned Painter
The first woman to make her living from painting captured herself and other women in the ways they wished to be perceived.