The artist’s felines, sculpted in ghostly white enamel-glazed clay, infuse the space with a quiet vitality, bridging the mystical and the everyday.

Rebecca Schiffman
Rebecca Schiffman (she/her) is an art writer and researcher living in Brooklyn. She holds a Masters in Art History from Hunter College.
The Visceral Humanity of Ralph Lemon’s Art
Blending and blurring his roles as an artist, choreographer, and writer, a survey of Lemon’s art centers his luminous legacy of storytelling, memory, and transformation.
How Alvin Ailey Redefined Modern Dance
Through his choreography and his company’s performances, Ailey seamlessly interwove narratives of Black, American, and queer identity.
An Intergenerational Conversation Between Black Women Artists
DON’T YOU MISS US? honors the trailblazing women who paved the way, underscoring the ongoing dialogue between past and present artistic expressions.
Chantal Joffe’s Diaries of an Empty-Nester
A narrative unfolds in Joffe’s My dearest dust that explores motherhood, loss, and individual identity as her daughter leaves home.
What Do Dolphins and Stress Balls Have in Common?
At Hunter College’s MFA thesis show in Manhattan, six artists decode modern life through unusual, surprising, and joyful installations.
The Animal Wonderland of Les Lalanne
Blending zoomorphic elements with a fanciful aesthetic, the artist duo’s functional animal sculptures evoked a sense of wonder and enchantment.
Catherine Opie’s Intimate Los Angeles
The works in Opie’s harmony is fraught are documents that bear witness, but they also highlight the connection between our public and private lives.
A Photographer’s Ode to Suburbia’s Teens
Subdivision depicts a uniquely Angeleno experience of adolescence, while also conjuring a shared memory of American suburban childhood.
Stéphane Mandelbaum’s Drawings of Human Depravity
The artist-poet’s drawings tell the story of someone entangled with his own demons and his work to overcome them.
The Past and Futures of African Metal Arts
SIGHTLINES increases the visibility of African art, bringing metal arts from the 19th and 20th centuries together with works by contemporary African artists.
The Jewish Museum’s Sanitized History of an Opium Dynasty
With The Sassoons, the Manhattan museum missed an opportunity to look more critically at the family’s opium trade, and to delve into the lives of its women.