Melissa Holbrook Pierson – Hyperallergic

Dona Ann McAdams’s Repository of Memory

The American photographer offers a singular fusion of literary and photographic art in her autobiography Black Box.

Propagandopolis, a globe-spanning selection of visual persuasions from the early 20th century to now, is a travelogue to disinformation’s past.

Revising Reality argues that the world as we know it is our creative output so our memories cannot help but be continually edited.

After being afflicted with cataracts, the late critic and novelist reflected on the mechanics of sight.

Amy Kurzweil’s graphic memoir reproduces her grandparents’ letters, paintings, and documents.

In a vividly illustrated artist’s book, Cammock breaks through the fourth wall of the page to present the city as a composition of energies.

An anthology of poems, fiction, and translated essays combined with images explores the role of memory and the visual.

Colette Brooks demonstrates how history unites us in both our private and public lives.

Patrick Nathan suggests that capitalism benefits when human relationships are reduced to two-dimensional representations.

The artist’s landmark experimental text, Between, now reissued, remains one of a kind more than three decades after its publication.

Time and night form Sharlet’s central theme: people who inhabit the night, literally and figuratively.