







Breath(e): Toward Climate and Social Justice continues at the Hammer Museum (10899 Wilshire Boulevard, Westwood, Los Angeles) through January 5, 2025. The exhibition is organized by guest co-curators Glenn Kaino and Mika Yoshitake.
Success! Your account was created and you’re signed in.
Please visit My Account to verify and manage your account.
An account was already registered with this email. Please check your inbox for an authentication link.
Breath(e): Toward Climate and Social Justice continues at the Hammer Museum (10899 Wilshire Boulevard, Westwood, Los Angeles) through January 5, 2025. The exhibition is organized by guest co-curators Glenn Kaino and Mika Yoshitake.
Nathan Gelgud is a cartoonist in Los Angeles who makes comics about movies, art, books and sometimes himself for the New York Times, the New Yorker and the New York Review of Books. More by Nathan Gelgud
2 Comments
You must be a Member to post a comment. Sign in or become a member now.
The museum’s unions are protesting the sweeping staff cuts that impacted 47 employees after the institution announced a $10M budget deficit.
The artist sits down with Hyperallergic Editor-in-Chief Hrag Vartanian and critic John Yau to discuss his work, which brings together Guston’s notorious KKK figures with his own host of comic characters to confront white supremacy.
The MFA Art Practice program at SVA redefines artmaking through a collaborative, cross-disciplinary approach that welcomes non-traditional applicants.
Even if DEI dies, arts organizations should still move toward the accessibility that has always been at the core of the effort. Here’s how.
Feted as the “Queen of the Bohemians,” Abercrombie saw herself as a kind of jazz witch forging dream visions into a strange, eerie, and occult body of work.
Collaged scraps of cloth or crumpled paper in Andrews’s portraits were a subversive and insistent means of encompassing his own non-White, non-urban roots.
A new lawsuit argues that the Manhattan sculpture garden is a unique artwork protected by the Visual Artists Rights Act.
The artist’s debut solo exhibition in the United States, “Attila cataract (…),” marks the first time the French Pavilion has traveled to the country. On view at Brown University.
An exhibition at the Legion of Honor is billed as the first to explore the artist’s “reinterpretations” of works by his artistic influences.
I showed up at the Manhattan courthouse with my watercolor pencils and paper in hand only to find that everyone wanted “the shot,” and that this work is not for the faint of heart.
Get the best of Hyperallergic directly in your email inbox.
Sending to:
This is an awesome exhibition review format! Thank you!
a museum made possible by the billions extracted through Occidental Petroleum.